Jazz in Retrospect: From “Come Sunday” to “Divine Music”

Queen Esther Marrow

Regennia N. Williams, PhD

During a year-long journey through recent jazz history, I discovered that many artists continue to view jazz as spiritual music.  Others describe it as nothing less than divine.  Some even borrow a line from Duke Ellington and suggest that the music is “beyond category.”  My work as an oral historian is allowing me to gain a better understanding of the evolving meaning of jazz–for artists and audiences alike.

In May 2016, I had the pleasure of interviewing Ms. Queen Esther Marrow for RASHAD’s Praying Grounds Oral History Project.  Marrow, an incredible alto vocalist, sang “Come Sunday” and other solo works during the premiere performance of Duke Ellington’s 1965 Concert of Sacred Music. (If you follow this link for Come Sunday,  you can hear her rendition of this classic, beginning at minute 44 of the YouTube video.)

Having performed with Ella Fitzgerald, Lena Horne, Mahalia Jackson,  and other legends, Marrow’s singing career continues unabated.  In recent years, this soulful singer and current resident of Newport News, Virginia founded the Harlem Gospel Singers, and she has toured and performed with this group throughout Europe.

Brother Ah

 

 

In May 2017, the Rev. Dr. Sandra Butler-Truesdale and I finished up round one of our series of interviews for the Washington DC Jazz Oral History Project.  The final session for this series focused on the life and work of Brother Ah (Mr. Robert Northern), an 83-year-old DC resident,  radio programmer, and multi-instrumentalist, whose credits include work with Miles Davis, John Coltrane, Sun Ra, and Thelonious Monk, among others.  Manufactured Recordings recently released Brother Ah’s three-album set, “Divine Music.

Marrow and Brother Ah are two of the 21 artists and/or friends of the musical arts who have shared oral history narratives, photographs, and other materials with our research team. We look forward to conducting additional interviews and sharing this history with you, through the Washington DC Jazz book (forthcoming from Arcadia), and other publications, public programming, and archival collections.

Special thanks to the individuals listed below for taking the time to speak with us from May 2016 through May 2017:

Kush Abadey

Nasar Abadey

Brother Ah (Robert Northern)

The Rev. Dr. Sandra Butler-Truesdale

The Rev. Dr. Ginger Cornwell

Donald Edwards

Chip Ellis

Keanna Faircloth

Janine Gilbert-Carter

Je’Lan Harwell

Kim Jordan

Manuel Kellogh

Queen Esther Marrow

Mark Meadows

Aaron Myers

Jeffrey Neal

Lavenia Nesmith

Moshe Snowden

Coniece Washington

Lori Williams

Rainy Williams

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Unknown's avatar

About Dr. Regennia N. Williams, Founder, President, and Executive Director

Dr. Regennia N. Williams is the Founder and Executive Director of The RASHAD Center, Inc., a Maryland-based non-profit educational corporation. Williams holds a PhD in Social History and Policy from Case Western Reserve University in Cleveland, Ohio. A native Clevelander and a four-time alumna of Cleveland State University, information on RASHAD's “Praying Grounds, African American Faith Communities: A Documentary and Oral History” project is now available online at www.ClevelandMemory.org/pray/, a site that is maintained by CSU's Library Special Collections, home of the Praying Grounds manuscript collections. Praying Grounds was the primary inspiration for the launching of the Initiative for the Study of Religion and Spirituality in the History of Africa and the Diaspora (RASHAD) at CSU, and links to RASHAD's scholarly journal and newsletter are also available on the Praying Grounds site. On April 28, 2020, the RASHAD Center, Inc. became a tax-exempt 501(c)(3) nonprofit organization. In 2010, Dr. Williams was a Visiting Fulbright Scholar at Nigeria’s Obafemi Awolowo University, where she taught history and directed a RASHAD-related oral history project that focused on the role of religion in recent Nigerian social history. Other research-related travels have taken her to Canada, China, France, South Africa, and Austria. In 2013, she conceived and produced “Come Sunday @ 70: The Place of Duke Ellington’s Sacred Jazz in World History and Culture, c. 1943-2013,” a project that included scholarly presentations and performing arts activities. From September 1993 until May 2015, she was a faculty member in the Department of History at Cleveland State University. She served as a Fulbright Specialist at South Africa's University of the Free State in the summer of 2019, and completed a short-term faculty residency at Howard University in the fall of 2019. She is based in Cleveland, Ohio. As a public scholar, her current research projects focus on African American history and culture, especially as it relates to music, religion, and spirituality. She is a member of the Oral History Association, the Western Reserve Historical Society, and the National Museum of African American History and Culture.
This entry was posted in Uncategorized and tagged , , , , , , , , , , , , . Bookmark the permalink.

Leave a comment