
It’s “Back to School” month for the students in my “Jazz Age and the Harlem Renissance” class at Montgomery College, and I would like to invite you to join us in reading (and/or viewing and listening to) materials related to this incredible era in American history. Feel free to check out the following on your own. and remember that great music and great books can brighten any day–especially when there are no pop quizzes and exams!
Articles and Essays:
“James Reese Europe, 1881-1919”
Library of Congress Biographical Sketch
https://loc.gov/item/ihas.200038842”
“Memoirs of ‘Jim’ Europe,” ca. 1942, by Noble Sissle
Typescript manuscript. NAACP Papers, Manuscript Division, Library of Congress
https://www.loc.gov/exhibitions/world-war-i-american-experiences/online-exhibition/world-overturned/returning-home/james-reese-europe-and-jazz/
*“The New Negro,” Alain Locke (1925)
*“The Negro Digs Up His Past,” Arthur Schomburg (1925)
*“The Negro Artist and the Racial Mountain,” Langston Hughes (1926)
*“How It Feels to Be Colored Me,” Zora Neale Hurston (1928)
*The above documents are available on numerous websites.
Recommended Books on the Harlem Renaissance and Its Legacy:
Valerie Boyd, Wrapped in Rainbows: The Life of Zora Neale Hurston (2003)
Alyce Claerbaut (editor), Strayhorn: An Illustrated Life (2015)
Harvey G. Cohen, Duke Ellington’s America (2010)
Ingrid Monson, African Diaspora: A Musical Perspective (2003)
Ingrid Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa (2010)
Howard Pollack, George Gershwin: His Life and Work (2006)
Arnold Rampersad, The Life of Langston Hughes (Second Edition, 2002)
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About Dr. Regennia N. Williams, Founder, President, and Executive Director
Dr. Regennia N. Williams is the Founder and Executive Director of The RASHAD Center, Inc., a Maryland-based non-profit educational corporation.
Williams holds a PhD in Social History and Policy from Case Western Reserve University in Cleveland, Ohio. A native Clevelander and a four-time alumna of Cleveland State University, information on RASHAD's “Praying Grounds, African American Faith Communities: A Documentary and Oral History” project is now available online at www.ClevelandMemory.org/pray/, a site that is maintained by CSU's Library Special Collections, home of the Praying Grounds manuscript collections. Praying Grounds was the primary inspiration for the launching of the Initiative for the Study of Religion and Spirituality in the History of Africa and the Diaspora (RASHAD) at CSU, and links to RASHAD's scholarly journal and newsletter are also available on the Praying Grounds site. On April 28, 2020, the RASHAD Center, Inc. became a tax-exempt 501(c)(3) nonprofit organization.
In 2010, Dr. Williams was a Visiting Fulbright Scholar at Nigeria’s Obafemi Awolowo University, where she taught history and directed a RASHAD-related oral history project that focused on the role of religion in recent Nigerian social history. Other research-related travels have taken her to Canada, China, France, South Africa, and Austria.
In 2013, she conceived and produced “Come Sunday @ 70: The Place of Duke Ellington’s Sacred Jazz in World History and Culture, c. 1943-2013,” a project that included scholarly presentations and performing arts activities. From September 1993 until May 2015, she was a faculty member in the Department of History at Cleveland State University. She served as a Fulbright Specialist at South Africa's University of the Free State in the summer of 2019, and completed a short-term faculty residency at Howard University in the fall of 2019. She is based in Cleveland, Ohio.
As a public scholar, her current research projects focus on African American history and culture, especially as it relates to music, religion, and spirituality. She is a member of the Oral History Association, the Western Reserve Historical Society, and the National Museum of African American History and Culture.