Jazz vocalist Ella Fitzgerald, c. 1946. (William P. Gottlieb Collection, Library of Congress)
Spending time working with jazz-related primary sources in the archives of the Library of Congress and the Smithsonian Institution reminds me of why I love reading and writing about jazz almost as much as I love teaching about and listening to the music!
While reviewing manuscript materials related to the work of vocalist Ella Fitzgerald, bassist Ray Brown, and jazz impresario Norman Granz this week, I was inspired to set some new SMART publication goals.
Needless to say, I am grateful for the opportunity to live and work near so many great archival collections.
Norman Granz, jazz impresario and long-time manager for Ella Fitzgerald, c. 1947. (William P. Gottlieb Collection, Library of Congress.)
Jazz, teaching, and research give back beautiful gifts–including new ideas for engaging discussions and publications!
About Dr. Regennia N. Williams, Founder, President, and Executive Director
Dr. Regennia N. Williams is the Founder and Executive Director of The RASHAD Center, Inc., a Maryland-based non-profit educational corporation.
Williams holds a PhD in Social History and Policy from Case Western Reserve University in Cleveland, Ohio. A native Clevelander and a four-time alumna of Cleveland State University, information on RASHAD's “Praying Grounds, African American Faith Communities: A Documentary and Oral History” project is now available online at www.ClevelandMemory.org/pray/, a site that is maintained by CSU's Library Special Collections, home of the Praying Grounds manuscript collections. Praying Grounds was the primary inspiration for the launching of the Initiative for the Study of Religion and Spirituality in the History of Africa and the Diaspora (RASHAD) at CSU, and links to RASHAD's scholarly journal and newsletter are also available on the Praying Grounds site. On April 28, 2020, the RASHAD Center, Inc. became a tax-exempt 501(c)(3) nonprofit organization.
In 2010, Dr. Williams was a Visiting Fulbright Scholar at Nigeria’s Obafemi Awolowo University, where she taught history and directed a RASHAD-related oral history project that focused on the role of religion in recent Nigerian social history. Other research-related travels have taken her to Canada, China, France, South Africa, and Austria.
In 2013, she conceived and produced “Come Sunday @ 70: The Place of Duke Ellington’s Sacred Jazz in World History and Culture, c. 1943-2013,” a project that included scholarly presentations and performing arts activities. From September 1993 until May 2015, she was a faculty member in the Department of History at Cleveland State University. She served as a Fulbright Specialist at South Africa's University of the Free State in the summer of 2019, and completed a short-term faculty residency at Howard University in the fall of 2019. She is based in Cleveland, Ohio.
As a public scholar, her current research projects focus on African American history and culture, especially as it relates to music, religion, and spirituality. She is a member of the Oral History Association, the Western Reserve Historical Society, and the National Museum of African American History and Culture.
The RASHAD Center, Inc. 