The Washington DC Jazz Oral History Project, Chapter 1: Ronald Edward Holloway

“At the Age of 13, Ronald Edward Holloway Decided to Become ‘A Saxophone Player for Life!'”

Ron Holloway

. . . I was standing in the basement, where I used to put on albums, listen to the guys play, and learn from them . . . So, I was standing in front of the record player, and my dad came downstairs and was standing beside me. We were talking about music and the saxophone, and I said to him, “Dad, I want to get my own horn.” He said, “Well, maybe we should wait a while, and see how you feel about it.” When he said that, I looked up at him with a surprised look, like I was surprised he would say that. I said, “I already know what I want to do. I am not going to change my mind.” So, at 13, I was very sure that I was going to be a saxophone player for life!

Interviewed by Dr. Regennia N. Williams
January 12, 2018
Photograph by Allison Murphy
Photograph Courtesy of the Rev. Dr. Sandra Butler-Truesdale
Founder and Director, DC Legendary Musicians, Inc.
#WashingtonDCJazz #DCLegendaryMusicians #OralHistoryRocks
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About Dr. Regennia N. Williams, Founder, President, and Executive Director

Dr. Regennia N. Williams is the Founder and Executive Director of The RASHAD Center, Inc., a Maryland-based non-profit educational corporation. Williams holds a PhD in Social History and Policy from Case Western Reserve University in Cleveland, Ohio. A native Clevelander and a four-time alumna of Cleveland State University, information on RASHAD's “Praying Grounds, African American Faith Communities: A Documentary and Oral History” project is now available online at www.ClevelandMemory.org/pray/, a site that is maintained by CSU's Library Special Collections, home of the Praying Grounds manuscript collections. Praying Grounds was the primary inspiration for the launching of the Initiative for the Study of Religion and Spirituality in the History of Africa and the Diaspora (RASHAD) at CSU, and links to RASHAD's scholarly journal and newsletter are also available on the Praying Grounds site. On April 28, 2020, the RASHAD Center, Inc. became a tax-exempt 501(c)(3) nonprofit organization. In 2010, Dr. Williams was a Visiting Fulbright Scholar at Nigeria’s Obafemi Awolowo University, where she taught history and directed a RASHAD-related oral history project that focused on the role of religion in recent Nigerian social history. Other research-related travels have taken her to Canada, China, France, South Africa, and Austria. In 2013, she conceived and produced “Come Sunday @ 70: The Place of Duke Ellington’s Sacred Jazz in World History and Culture, c. 1943-2013,” a project that included scholarly presentations and performing arts activities. From September 1993 until May 2015, she was a faculty member in the Department of History at Cleveland State University. She served as a Fulbright Specialist at South Africa's University of the Free State in the summer of 2019, and completed a short-term faculty residency at Howard University in the fall of 2019. She is based in Cleveland, Ohio. As a public scholar, her current research projects focus on African American history and culture, especially as it relates to music, religion, and spirituality. She is a member of the Oral History Association, the Western Reserve Historical Society, and the National Museum of African American History and Culture.
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