Lessons from Jessye on Gifts, Talents, and Teaching

“We each express ourselves in our own ways, with our own gifts and talents.  Let us not be afraid to stand up and be an example of the change we wish to see in our world by doing something strong and useful in offering to others the teachings of our hearts and minds.  The fullness of ourselves.”  -Jessye Norman, Soprano

The front cover of the memoir of the late Jessye Norman (1945-2019), Stand Up Straight and Sing.

During Black History Month (February) of 1994, I joined more than 60 individuals in presenting the first “Spiritual Gifts” concert.  This program in the Drinko Recital Hall at Cleveland State University focused on the rich body of music associated with historically Black churches in the United States of America. My vision had become a reality.

On November 19, 2019, my final day with the Ohio-based Spiritual Gifts initiative,  I could point with pride to the fact that dozens of individuals associated with Spiritual Gifts: A Professional Black Sacred Music Repertory Ensemble, Inc. –which became a 501 (c)(3) public charity in 2015, had performed in churches and concert venues throughout Greater Cleveland and on the campus of Howard University in Washington DC, toured and performed in Vienna, Austria and Paris, France; produced two CDs  and a DVD related to their European tour, and had been the subjects of journal, newspaper, and newsletter articles

Now that I am no longer affiliated with Spiritual Gifts (Ohio), I am overjoyed that I will be able to devote more time to working through the RASHAD Center, Inc. to plan and implement Honor & Power,” the 2020 celebration of my 25 years of teaching history through Black sacred music.

As I continue to share information with others about what promises to be a wonderfully exciting arts and humanities program, I am especially grateful to the late Jessye Norman for her splendid examples of musical excellence and the incredibly timely words of encouragement from her 2014 memoir.  Yes, Ms. Norman, in this silver anniversary year, I look forward to “doing something strong and useful in offering to others the teachings of [my heart and mind].  The fullness of [myself].” All people of goodwill are invited to join me in this endeavor.

Regennia N. Williams, PhD

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About Dr. Regennia N. Williams, Founder, President, and Executive Director

Dr. Regennia N. Williams is the Founder and Executive Director of The RASHAD Center, Inc., a Maryland-based non-profit educational corporation. Williams holds a PhD in Social History and Policy from Case Western Reserve University in Cleveland, Ohio. A native Clevelander and a four-time alumna of Cleveland State University, information on RASHAD's “Praying Grounds, African American Faith Communities: A Documentary and Oral History” project is now available online at www.ClevelandMemory.org/pray/, a site that is maintained by CSU's Library Special Collections, home of the Praying Grounds manuscript collections. Praying Grounds was the primary inspiration for the launching of the Initiative for the Study of Religion and Spirituality in the History of Africa and the Diaspora (RASHAD) at CSU, and links to RASHAD's scholarly journal and newsletter are also available on the Praying Grounds site. On April 28, 2020, the RASHAD Center, Inc. became a tax-exempt 501(c)(3) nonprofit organization. In 2010, Dr. Williams was a Visiting Fulbright Scholar at Nigeria’s Obafemi Awolowo University, where she taught history and directed a RASHAD-related oral history project that focused on the role of religion in recent Nigerian social history. Other research-related travels have taken her to Canada, China, France, South Africa, and Austria. In 2013, she conceived and produced “Come Sunday @ 70: The Place of Duke Ellington’s Sacred Jazz in World History and Culture, c. 1943-2013,” a project that included scholarly presentations and performing arts activities. From September 1993 until May 2015, she was a faculty member in the Department of History at Cleveland State University. She served as a Fulbright Specialist at South Africa's University of the Free State in the summer of 2019, and completed a short-term faculty residency at Howard University in the fall of 2019. She is based in Cleveland, Ohio. As a public scholar, her current research projects focus on African American history and culture, especially as it relates to music, religion, and spirituality. She is a member of the Oral History Association, the Western Reserve Historical Society, and the National Museum of African American History and Culture.
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