Washington DC Jazz Oral History Project, Chapter 14

“I was blessed and fortunate to tap into that wonderful artistry of jazz and those icons and other people who continue to keep it alive here in the DMV.” — Janine Gilbert-Carter

Janine Gilbert-Carter

 

JANINE GILBERT-CARTER – a Pennsylvania native who migrated to the Washington DC Metropolitan Area in 1988, got an early start singing at the St. John Baptist Church in Aliquippa. During her April 2017 interview for the Washington DC Jazz Oral History Project, she confessed that she is now at home performing jazz, gospel, blues, and other styles. She also shared her priceless stories about her live performances and studio work involving other Mid-Atlantic artists, including Ronnie Wells-Elliston, Ron Elliston, Paul Carr, Keter Betts, and James “Tex” King.

“My very first professional jazz performance was orchestrated by Ronnie Wells-Elliston, and it was at Vincino’s [Ristorante Italiano] in Silver Spring, Maryland, when they first opened—[with a jazz performance series run] by Chad Carter and Ted Carter.  Chad Carter is a local jazz musician himself. I remember playing there with Vince Smith on piano and Wes Biles on bass . . .”

“I actually did two recording at once, at two different studios! I recorded a gospel CD and a jazz CD that came out at the same time. For the jazz CD, I talked with Ronnie Wells-Elliston and asked, “Do you think I’m ready to do this?” She said, “Absolutely!” So, I worked with her and John Miller, who had a studio out in Olney, Maryland.”

“On that first jazz CD [“In the Moment”], I was blessed, once again, to have saxophonist Paul Carr, drummer Mike Smith, Aaron Graves on piano, and James “Tex” King on bass. So, I was able to do my very first jazz recording with the top-notch jazz musicians in the DMV . . .”

“ . . . I think Washington, DC is becoming that hub where musicians want to come and share their gifts of artistry, just like in New York. I am thankful that I was introduced to those in jazz—like Ronnie Wells and Ron Elliston, Paul Carr—and that I was able to meet Keter Betts and play with Keter Betts. He is a legend here in Washington DC.”

“I was blessed and fortunate to tap into that wonderful artistry of jazz and those icons and other people who continue to keep it alive here in the DMV.”

Interview Date: April 22, 2017

All Interviews Conducted, Recorded, and Reviewed by

Dr. Regennia N. Williams

Life Member, Oral History Association

Founder and Director, The RASHAD Center, Inc.

 

*Photograph Courtesy of Janine Gilbert-Carter

 

Janine Gilbert-Carter Live at the 15th annual FMJS East Coast Jazz Festival

 

#WashingtonDCJazz

#DCLegendaryMusicians

#OralHistoryRocks

 

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About Dr. Regennia N. Williams, Founder, President, and Executive Director

Dr. Regennia N. Williams is the Founder and Executive Director of The RASHAD Center, Inc., a Maryland-based non-profit educational corporation. Williams holds a PhD in Social History and Policy from Case Western Reserve University in Cleveland, Ohio. A native Clevelander and a four-time alumna of Cleveland State University, information on RASHAD's “Praying Grounds, African American Faith Communities: A Documentary and Oral History” project is now available online at www.ClevelandMemory.org/pray/, a site that is maintained by CSU's Library Special Collections, home of the Praying Grounds manuscript collections. Praying Grounds was the primary inspiration for the launching of the Initiative for the Study of Religion and Spirituality in the History of Africa and the Diaspora (RASHAD) at CSU, and links to RASHAD's scholarly journal and newsletter are also available on the Praying Grounds site. On April 28, 2020, the RASHAD Center, Inc. became a tax-exempt 501(c)(3) nonprofit organization. In 2010, Dr. Williams was a Visiting Fulbright Scholar at Nigeria’s Obafemi Awolowo University, where she taught history and directed a RASHAD-related oral history project that focused on the role of religion in recent Nigerian social history. Other research-related travels have taken her to Canada, China, France, South Africa, and Austria. In 2013, she conceived and produced “Come Sunday @ 70: The Place of Duke Ellington’s Sacred Jazz in World History and Culture, c. 1943-2013,” a project that included scholarly presentations and performing arts activities. From September 1993 until May 2015, she was a faculty member in the Department of History at Cleveland State University. She served as a Fulbright Specialist at South Africa's University of the Free State in the summer of 2019, and completed a short-term faculty residency at Howard University in the fall of 2019. She is based in Cleveland, Ohio. As a public scholar, her current research projects focus on African American history and culture, especially as it relates to music, religion, and spirituality. She is a member of the Oral History Association, the Western Reserve Historical Society, and the National Museum of African American History and Culture.
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