Author Archives: Dr. Regennia N. Williams, Founder, President, and Executive Director

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About Dr. Regennia N. Williams, Founder, President, and Executive Director

Dr. Regennia N. Williams is the Founder and Executive Director of The RASHAD Center, Inc., a Maryland-based non-profit educational corporation. Williams holds a PhD in Social History and Policy from Case Western Reserve University in Cleveland, Ohio. A native Clevelander and a four-time alumna of Cleveland State University, information on RASHAD's “Praying Grounds, African American Faith Communities: A Documentary and Oral History” project is now available online at www.ClevelandMemory.org/pray/, a site that is maintained by CSU's Library Special Collections, home of the Praying Grounds manuscript collections. Praying Grounds was the primary inspiration for the launching of the Initiative for the Study of Religion and Spirituality in the History of Africa and the Diaspora (RASHAD) at CSU, and links to RASHAD's scholarly journal and newsletter are also available on the Praying Grounds site. On April 28, 2020, the RASHAD Center, Inc. became a tax-exempt 501(c)(3) nonprofit organization. In 2010, Dr. Williams was a Visiting Fulbright Scholar at Nigeria’s Obafemi Awolowo University, where she taught history and directed a RASHAD-related oral history project that focused on the role of religion in recent Nigerian social history. Other research-related travels have taken her to Canada, China, France, South Africa, and Austria. In 2013, she conceived and produced “Come Sunday @ 70: The Place of Duke Ellington’s Sacred Jazz in World History and Culture, c. 1943-2013,” a project that included scholarly presentations and performing arts activities. From September 1993 until May 2015, she was a faculty member in the Department of History at Cleveland State University. She served as a Fulbright Specialist at South Africa's University of the Free State in the summer of 2019, and completed a short-term faculty residency at Howard University in the fall of 2019. She is based in Cleveland, Ohio. As a public scholar, her current research projects focus on African American history and culture, especially as it relates to music, religion, and spirituality. She is a member of the Oral History Association, the Western Reserve Historical Society, and the National Museum of African American History and Culture.

Washington DC Jazz Oral History Project, Chapter 3

*JE’LAN HARWELL — a 13-Year-Old Guitarist and Fan of B.B. King, Prince, Jimi Hendrix, and Jackie Lee—Says We Need to Do a Better Job of Supporting Our Musical Artists. “We have a lot of musicians out there that we probably … Continue reading

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The Washington DC Jazz Oral History Project, Chapter 2

KIM JORDAN—renowned keyboard artist, composer, producer, director, preacher, teacher, mentor, entrepreneur, Howard University alumna, and member of Delta Sigma Theta Sorority, Inc. —says, “Do not sleep on DC, because this is where the magic happens!” “There is great history here; … Continue reading

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The Washington DC Jazz Oral History Project, Chapter 1: Ronald Edward Holloway

“At the Age of 13, Ronald Edward Holloway Decided to Become ‘A Saxophone Player for Life!’” . . . I was standing in the basement, where I used to put on albums, listen to the guys play, and learn from … Continue reading

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Meet the “Washington DC Jazz” Oral History Narrators!

By Regennia N. Williams PhD Humanities Scholar and Life Member of the Oral History Association From the late spring of 2016 through the early winter of 2018, I had the pleasure of interviewing 23 incredible jazz artists in the Metro … Continue reading

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Happy Black Music Month!

Dear Friends, You are cordially invited to read the special 2018 Black Music Month issue of Traditions & Beliefs, RASHAD’s program newsletter. Here is the link to the online publication: https://issuu.com/regennia.williams/docs/winter_spring_traditions___beliefs_ Happy Reading . . . Happy Black Music Month! … Continue reading

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Coming Soon: “My Jazzy Journey and Duke Ellington’s Washington,” A Black Music Month Publication

In 2008, I wrote a paper on the reception of Duke Ellington’s Sacred Concerts in America and began a 10-year journey through a fascinating chapter in jazz history and Black culture. That journey took me across America, over the airwaves, … Continue reading

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“Beams of Heaven” and the Gospel According to Walter

Beams of heaven as I go  Through this wilderness below Guide my feet in peaceful ways Turn my midnights into days.  —Charles Albert Tindley This week, I returned to Cleveland, Ohio to celebrate the life and legacy of the Rev. … Continue reading

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Jazz Research and the Gift of Music

Spending time working with jazz-related primary sources in the archives of the Library of Congress and the Smithsonian Institution reminds me of why I love reading and writing about jazz almost as much as I love teaching about and listening … Continue reading

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The Revolution Is Now Being Televised and Tweeted!

I am pleased to announce that the 2017 issue of The Journal of Traditions & Beliefs is now available online.  The theme for this issue is “The Revolution Is Now Being Televised and Tweeted: Black Protest, Preaching, and (Re)Presentations, From … Continue reading

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Scott-Heron, Hughes, and the Blues

The more I learn about Gil Scott-Heron, the more I admire him.  I have long been familiar with his work as a poet, pianist, composer, spoken word artist, and the youthful voice of Black protest in the 20th century. It … Continue reading

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