Author Archives: Dr. Regennia N. Williams, Founder, President, and Executive Director

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About Dr. Regennia N. Williams, Founder, President, and Executive Director

Dr. Regennia N. Williams is the Founder and Executive Director of The RASHAD Center, Inc., a Maryland-based non-profit educational corporation. Williams holds a PhD in Social History and Policy from Case Western Reserve University in Cleveland, Ohio. A native Clevelander and a four-time alumna of Cleveland State University, information on RASHAD's “Praying Grounds, African American Faith Communities: A Documentary and Oral History” project is now available online at www.ClevelandMemory.org/pray/, a site that is maintained by CSU's Library Special Collections, home of the Praying Grounds manuscript collections. Praying Grounds was the primary inspiration for the launching of the Initiative for the Study of Religion and Spirituality in the History of Africa and the Diaspora (RASHAD) at CSU, and links to RASHAD's scholarly journal and newsletter are also available on the Praying Grounds site. On April 28, 2020, the RASHAD Center, Inc. became a tax-exempt 501(c)(3) nonprofit organization. In 2010, Dr. Williams was a Visiting Fulbright Scholar at Nigeria’s Obafemi Awolowo University, where she taught history and directed a RASHAD-related oral history project that focused on the role of religion in recent Nigerian social history. Other research-related travels have taken her to Canada, China, France, South Africa, and Austria. In 2013, she conceived and produced “Come Sunday @ 70: The Place of Duke Ellington’s Sacred Jazz in World History and Culture, c. 1943-2013,” a project that included scholarly presentations and performing arts activities. From September 1993 until May 2015, she was a faculty member in the Department of History at Cleveland State University. She served as a Fulbright Specialist at South Africa's University of the Free State in the summer of 2019, and completed a short-term faculty residency at Howard University in the fall of 2019. She is based in Cleveland, Ohio. As a public scholar, her current research projects focus on African American history and culture, especially as it relates to music, religion, and spirituality. She is a member of the Oral History Association, the Western Reserve Historical Society, and the National Museum of African American History and Culture.

Scott-Heron, Hughes, and the Blues

The more I learn about Gil Scott-Heron, the more I admire him.  I have long been familiar with his work as a poet, pianist, composer, spoken word artist, and the youthful voice of Black protest in the 20th century. It … Continue reading

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The DC Living Heritage Network and the Art and Science of Strengthening Humanities Organizations in DC

In the short time that I have been aware of and actively participating in the small group meetings of the DC Living Heritage Network (DCLHN), I have come to appreciate the vital role that creative thinkers play in both the … Continue reading

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Covers, Echoes, and New Music from Gregory Porter

What happens when Gregory Porter covers the Temptations (and others’) “Papa Was a Rollin’ Stone,” echoes passages from Marvin Gaye’s “What’s Going On?,” and writes, records, and shares his own 21st-century soulful jazz compositions with the world?  Great music– over … Continue reading

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Lena Horne: Life, Music, Struggle, and Success

As I join others in  commemorating the centennial of the birth of Lena Mary Calhoun Horne (1917-2010), I am reminded of the struggles and triumphs of African American musical artists–in both their public careers and private lives. This week, I … Continue reading

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“Call and Response” with Keter and Ella

The summer of 2017 has been a wonderful season of teaching and learning for me, especially when it comes to those lessons about outstanding musicians.  The music of bassist Keter Betts (1928-2005), for example, continues to provide abundant evidence of … Continue reading

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Singing, Swinging, and Bopping with Dizzy, Ella, and Lena!

I am certain that writer-photographer William Gottlieb enjoyed his work as a journalist, especially since it afforded him countless opportunities to see and hear many of the greatest jazz artists of all time–including Dizzy Gillespie, Ella Fitzgerald, and Lena Horne.  … Continue reading

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Heading “Back to School” in Maryland This Summer and Taking Some of My Favorite Former Washingtonians with Me!

It’s “Back to School” month for the students in my “Jazz Age and the Harlem Renissance” class at Montgomery College, and I would like to invite you to join us in reading (and/or viewing and listening to) materials related to … Continue reading

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Never a Dull Moment in Washington, DC’s Shaw-Howard Community!

I am very fond of the people in Washington, DC’s Shaw-Howard Community–especially those who live, work, and worship on or near Ninth Street, NW.  On any given Sunday, you are likely to see them heading to the historic Shiloh Baptist … Continue reading

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Jazz in Retrospect: From “Come Sunday” to “Divine Music”

Regennia N. Williams, PhD During a year-long journey through recent jazz history, I discovered that many artists continue to view jazz as spiritual music.  Others describe it as nothing less than divine.  Some even borrow a line from Duke Ellington … Continue reading

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Education and History Still Matter: Remembering May 17, 1954

Because I understand the ongoing struggle to secure equal access to quality education for all people in the United States, I intend to take full advantage of continuing education and professional development opportunities, and then apply what I learn in … Continue reading

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