Author Archives: Dr. Regennia N. Williams, Founder, President, and Executive Director

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About Dr. Regennia N. Williams, Founder, President, and Executive Director

Dr. Regennia N. Williams is the Founder and Executive Director of The RASHAD Center, Inc., a Maryland-based non-profit educational corporation. Williams holds a PhD in Social History and Policy from Case Western Reserve University in Cleveland, Ohio. A native Clevelander and a four-time alumna of Cleveland State University, information on RASHAD's “Praying Grounds, African American Faith Communities: A Documentary and Oral History” project is now available online at www.ClevelandMemory.org/pray/, a site that is maintained by CSU's Library Special Collections, home of the Praying Grounds manuscript collections. Praying Grounds was the primary inspiration for the launching of the Initiative for the Study of Religion and Spirituality in the History of Africa and the Diaspora (RASHAD) at CSU, and links to RASHAD's scholarly journal and newsletter are also available on the Praying Grounds site. On April 28, 2020, the RASHAD Center, Inc. became a tax-exempt 501(c)(3) nonprofit organization. In 2010, Dr. Williams was a Visiting Fulbright Scholar at Nigeria’s Obafemi Awolowo University, where she taught history and directed a RASHAD-related oral history project that focused on the role of religion in recent Nigerian social history. Other research-related travels have taken her to Canada, China, France, South Africa, and Austria. In 2013, she conceived and produced “Come Sunday @ 70: The Place of Duke Ellington’s Sacred Jazz in World History and Culture, c. 1943-2013,” a project that included scholarly presentations and performing arts activities. From September 1993 until May 2015, she was a faculty member in the Department of History at Cleveland State University. She served as a Fulbright Specialist at South Africa's University of the Free State in the summer of 2019, and completed a short-term faculty residency at Howard University in the fall of 2019. She is based in Cleveland, Ohio. As a public scholar, her current research projects focus on African American history and culture, especially as it relates to music, religion, and spirituality. She is a member of the Oral History Association, the Western Reserve Historical Society, and the National Museum of African American History and Culture.

Jazz, Visual Art, and “Colored Frames”

As I continue to explore Black contributions to my twin loves of American music and art,  I would be remiss if I did not confess that I am never surprised by the incredibly thought-provoking ideas that artists are willing to … Continue reading

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Hillfest Jazz in Washington DC — October 6, 2018

The Capitol Hill Jazz Foundation is looking for Volunteers for the upcoming  Hillfest events! This opportunity is perfect for Jazz enthusiasts! The foundation’s mission is to serve the Washington D.C. jazz community by providing a weekly jam session, an annual … Continue reading

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DMV Jazz, National Arts and Humanities Month, and Humanities Days @ Montgomery College!

October is National Arts and Humanities Month, and you are cordially invited to join me for celebrations in Maryland and Ohio!  I plan to highlight a different project each week, so please follow the RASHAD Center’s blog for more announcements. … Continue reading

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Washington DC Jazz Oral History Project, Part II, Chapter 1: Washingtonians-at-Large

“I am always going to be a Washingtonian. I’ve been in New York for 13 years, but I still represent Washington DC!” –Corcoran N. Holt, 2017   CORCORAN N. HOLT is both a freelance bassist and a group leader in … Continue reading

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Washington DC Jazz Oral History Project, Chapter 23 – Final Chapter in Part I, “Straight-Ahead Jazz”

“I heard a young minister, William Lamar from Metropolitan AME Church, say, ‘All music is God’s music!’” –The Rev. Dr. Sandra Butler-Truesdale THE REV. DR. SANDRA BUTLER-TRUESDALE is the founder and director of DC Legendary Musicians, Inc. I interviewed her … Continue reading

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Washington DC Jazz Oral History Project, Chapter 22

“I am very passionate about performing.” –Nia Alsop   NIA ALSOP—a native of Baltimore, Maryland, is an alto who loves Jazz and musical theater. Born in 2004, she was one of the youngest narrators for the Washington DC Jazz Oral … Continue reading

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Washington DC Jazz Oral History Project, Chapter 21

“I just couldn’t get away from the music!” – Keanna Faircloth KEANNA FAIRCLOTH – a native Washingtonian and Howard University alumna, is the host of “Tuesday Evening Jazz” on WPFW 89.3 FM.  During her May 13, 2017 interview for the … Continue reading

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Washington DC Jazz Oral History Project, Chapter 20

“My style encompasses all of the styles that have influenced Jazz over the last hundred years.” – Kush Abadey KUSH ABADEY – a native of Silver Spring, Maryland, is now based in New York City. He is a highly sought-after … Continue reading

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Washington DC Jazz Oral History Project, Chapter 19

“In high school, I was listening to drummers like Cozy Cole, Ed Thigpen, Max Roach, Buddy Rich, and Art Blakey . . . My mentor to this very day is Harold Jones.” — Manuel Kellough   MANUEL “MANNY” / “THE … Continue reading

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Washington DC Jazz Oral History Project, Chapter 18

“I try to do a little bit of everything to bring as many people into my music as I can.” –Mark G. Meadows   MARK G. MEADOWS – a DC-born, classically-trained pianist, keyboardist, and composer– moved to Dallas at the … Continue reading

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