Author Archives: Dr. Regennia N. Williams, Founder, President, and Executive Director

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About Dr. Regennia N. Williams, Founder, President, and Executive Director

Dr. Regennia N. Williams is the Founder and Executive Director of The RASHAD Center, Inc., a Maryland-based non-profit educational corporation. Williams holds a PhD in Social History and Policy from Case Western Reserve University in Cleveland, Ohio. A native Clevelander and a four-time alumna of Cleveland State University, information on RASHAD's “Praying Grounds, African American Faith Communities: A Documentary and Oral History” project is now available online at www.ClevelandMemory.org/pray/, a site that is maintained by CSU's Library Special Collections, home of the Praying Grounds manuscript collections. Praying Grounds was the primary inspiration for the launching of the Initiative for the Study of Religion and Spirituality in the History of Africa and the Diaspora (RASHAD) at CSU, and links to RASHAD's scholarly journal and newsletter are also available on the Praying Grounds site. On April 28, 2020, the RASHAD Center, Inc. became a tax-exempt 501(c)(3) nonprofit organization. In 2010, Dr. Williams was a Visiting Fulbright Scholar at Nigeria’s Obafemi Awolowo University, where she taught history and directed a RASHAD-related oral history project that focused on the role of religion in recent Nigerian social history. Other research-related travels have taken her to Canada, China, France, South Africa, and Austria. In 2013, she conceived and produced “Come Sunday @ 70: The Place of Duke Ellington’s Sacred Jazz in World History and Culture, c. 1943-2013,” a project that included scholarly presentations and performing arts activities. From September 1993 until May 2015, she was a faculty member in the Department of History at Cleveland State University. She served as a Fulbright Specialist at South Africa's University of the Free State in the summer of 2019, and completed a short-term faculty residency at Howard University in the fall of 2019. She is based in Cleveland, Ohio. As a public scholar, her current research projects focus on African American history and culture, especially as it relates to music, religion, and spirituality. She is a member of the Oral History Association, the Western Reserve Historical Society, and the National Museum of African American History and Culture.

Washington DC Jazz Oral History Project, Chapter 23 – Final Chapter in Part I, “Straight-Ahead Jazz”

“I heard a young minister, William Lamar from Metropolitan AME Church, say, ‘All music is God’s music!’” –The Rev. Dr. Sandra Butler-Truesdale THE REV. DR. SANDRA BUTLER-TRUESDALE is the founder and director of DC Legendary Musicians, Inc. I interviewed her … Continue reading

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Washington DC Jazz Oral History Project, Chapter 22

“I am very passionate about performing.” –Nia Alsop   NIA ALSOP—a native of Baltimore, Maryland, is an alto who loves Jazz and musical theater. Born in 2004, she was one of the youngest narrators for the Washington DC Jazz Oral … Continue reading

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Washington DC Jazz Oral History Project, Chapter 21

“I just couldn’t get away from the music!” – Keanna Faircloth KEANNA FAIRCLOTH – a native Washingtonian and Howard University alumna, is the host of “Tuesday Evening Jazz” on WPFW 89.3 FM.  During her May 13, 2017 interview for the … Continue reading

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Washington DC Jazz Oral History Project, Chapter 20

“My style encompasses all of the styles that have influenced Jazz over the last hundred years.” – Kush Abadey KUSH ABADEY – a native of Silver Spring, Maryland, is now based in New York City. He is a highly sought-after … Continue reading

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Washington DC Jazz Oral History Project, Chapter 19

“In high school, I was listening to drummers like Cozy Cole, Ed Thigpen, Max Roach, Buddy Rich, and Art Blakey . . . My mentor to this very day is Harold Jones.” — Manuel Kellough   MANUEL “MANNY” / “THE … Continue reading

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Washington DC Jazz Oral History Project, Chapter 18

“I try to do a little bit of everything to bring as many people into my music as I can.” –Mark G. Meadows   MARK G. MEADOWS – a DC-born, classically-trained pianist, keyboardist, and composer– moved to Dallas at the … Continue reading

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Washington DC Jazz Oral History Project, Chapter 17

“I am a drummer, and I love my music. I have been doing this since I was eight, and I will be 61. That’s a long time playing drums. I love doing what I do.” – Donald “Big Foot” Edwards … Continue reading

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Washington DC Jazz Oral History Project, Chapter 16

“We are very familiar with the landscape, the land, and the people. We have a rich history in that part of Texas.”—Aaron Myers   AARON MYERS—a Texas native, has worked as a professional jazz vocalist for 14 years. He also … Continue reading

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Washington DC Jazz Oral History Project, Chapter 15

“There is always lots of room for education, pr, and talking about the Howard Theatre and its importance, because it is the oldest major theatre for African American entertainment in the country, older than the Apollo by 25 years.” -–Roy … Continue reading

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Washington DC Jazz Oral History Project, Chapter 14

“I was blessed and fortunate to tap into that wonderful artistry of jazz and those icons and other people who continue to keep it alive here in the DMV.” — Janine Gilbert-Carter   JANINE GILBERT-CARTER – a Pennsylvania native who … Continue reading

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