Author Archives: Dr. Regennia N. Williams, Founder, President, and Executive Director

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About Dr. Regennia N. Williams, Founder, President, and Executive Director

Dr. Regennia N. Williams is the Founder and Executive Director of The RASHAD Center, Inc., a Maryland-based non-profit educational corporation. Williams holds a PhD in Social History and Policy from Case Western Reserve University in Cleveland, Ohio. A native Clevelander and a four-time alumna of Cleveland State University, information on RASHAD's “Praying Grounds, African American Faith Communities: A Documentary and Oral History” project is now available online at www.ClevelandMemory.org/pray/, a site that is maintained by CSU's Library Special Collections, home of the Praying Grounds manuscript collections. Praying Grounds was the primary inspiration for the launching of the Initiative for the Study of Religion and Spirituality in the History of Africa and the Diaspora (RASHAD) at CSU, and links to RASHAD's scholarly journal and newsletter are also available on the Praying Grounds site. On April 28, 2020, the RASHAD Center, Inc. became a tax-exempt 501(c)(3) nonprofit organization. In 2010, Dr. Williams was a Visiting Fulbright Scholar at Nigeria’s Obafemi Awolowo University, where she taught history and directed a RASHAD-related oral history project that focused on the role of religion in recent Nigerian social history. Other research-related travels have taken her to Canada, China, France, South Africa, and Austria. In 2013, she conceived and produced “Come Sunday @ 70: The Place of Duke Ellington’s Sacred Jazz in World History and Culture, c. 1943-2013,” a project that included scholarly presentations and performing arts activities. From September 1993 until May 2015, she was a faculty member in the Department of History at Cleveland State University. She served as a Fulbright Specialist at South Africa's University of the Free State in the summer of 2019, and completed a short-term faculty residency at Howard University in the fall of 2019. She is based in Cleveland, Ohio. As a public scholar, her current research projects focus on African American history and culture, especially as it relates to music, religion, and spirituality. She is a member of the Oral History Association, the Western Reserve Historical Society, and the National Museum of African American History and Culture.

RASHAD’s Spring 2019 Newsletter is Now Available!

The Spring 2019 issue of our newsletter is now available.  The theme for this Jazz Appreciation Month issue is “My Story, My Song, and My Sources.”  We focus on oral history, local history, photographic history, and jazz history.  You can … Continue reading

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Join Me in Celebrating Jazz Appreciation Month in April!

JAZZforum, Monday, April 8, 2019 7:00 pm, Free! “Washington, DC, Jazz” UDC – Felix E. Grant Jazz Archives Featuring Dr. Regennia N. Williams, Rev. Dr. Sandra Butler-Truesdale, Mr. Willard Jenkins JAZZforum celebrates the recently published book Washington, DC, Jazz (Images … Continue reading

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Writing Gives Back Beautiful Gifts–Often in the Form of Published Books!

By Regennia N. Williams, PhD With this week’s official launch of the Washington, DC, Jazz book, I found myself reminiscing about a research journey that began in May 2016, when my love for Duke Ellington’s liturgical jazz led me to … Continue reading

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Between Praying Grounds and Portrait Galleries: Scholarly Research and Artistic Journeys in Black

Regennia N. Williams, PhD In May of 2018, I embarked upon a research journey that has allowed me to build upon several earlier oral history and writing projects, and think about my scholarship and teaching activities in ways that would … Continue reading

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1960 What?: Art and the Roots and Fruits of Activism in New York

For reasons that make perfectly good sense to me as a teacher-scholar,  the 2010s have felt like the “Era of 50th Anniversaries.”  The 1960 election of John Fitzgerald Kennedy as the youngest and first Roman Catholic president of the United … Continue reading

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In the Spirit of Creativity: African American Art and the Gospel According to Dr. David C. Driskell

I believe, now more than ever, that everything happens for a reason–even when I fail, initially, to understand all of the minute details associated with the happenings. During my current season of change, I have come to the conclusion that … Continue reading

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Jazz, Visual Art, and “Colored Frames”

As I continue to explore Black contributions to my twin loves of American music and art,  I would be remiss if I did not confess that I am never surprised by the incredibly thought-provoking ideas that artists are willing to … Continue reading

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Hillfest Jazz in Washington DC — October 6, 2018

The Capitol Hill Jazz Foundation is looking for Volunteers for the upcoming  Hillfest events! This opportunity is perfect for Jazz enthusiasts! The foundation’s mission is to serve the Washington D.C. jazz community by providing a weekly jam session, an annual … Continue reading

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DMV Jazz, National Arts and Humanities Month, and Humanities Days @ Montgomery College!

October is National Arts and Humanities Month, and you are cordially invited to join me for celebrations in Maryland and Ohio!  I plan to highlight a different project each week, so please follow the RASHAD Center’s blog for more announcements. … Continue reading

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Washington DC Jazz Oral History Project, Part II, Chapter 1: Washingtonians-at-Large

“I am always going to be a Washingtonian. I’ve been in New York for 13 years, but I still represent Washington DC!” –Corcoran N. Holt, 2017   CORCORAN N. HOLT is both a freelance bassist and a group leader in … Continue reading

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