Washington DC Jazz Oral History Project, Chapter 8 –Lavenia A. Nesmith

Lavenia A. Nesmith

*LAVENIA A. NESMITH –a Freelance Jazz and Gospel Vocalist and Recording Artist—Says the Roots of Her Professional Career Can Be Traced to the Church and Her Performances As a Teen with the El Corols Band and Show

“I always knew as a small child—I think it [started when I] was around the age of eight or nine, but I always knew that I wanted to be a singer.”
“I started in church. Then, when I went to junior high school, I took band lessons. I took music lessons, played clarinet, and qualified for the marching band.”
“There was a group of neighborhood children, mainly boys, and they all played instruments . . . We decided that we wanted to form this Rock and Roll band called the El Corols Band and Show. Although we were teenagers, we were very fortunate to have as our manager a gentleman by the name of Captain Bill Rumsey.”
Interviewed on May 3, 2017
By Dr. Regennia N. Williams
Founder and Director, The RASHAD Center, Inc.
Photograph by Regennia N. Williams
Lavenia A. Nesmith Performs “Peel Me a Grape”
The El Corols Perform “Chick Chick”
#WashingtonDCJazz
#DCLegendaryMusicians
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About Dr. Regennia N. Williams, Founder, President, and Executive Director

Dr. Regennia N. Williams is the Founder and Executive Director of The RASHAD Center, Inc., a Maryland-based non-profit educational corporation. Williams holds a PhD in Social History and Policy from Case Western Reserve University in Cleveland, Ohio. A native Clevelander and a four-time alumna of Cleveland State University, information on RASHAD's “Praying Grounds, African American Faith Communities: A Documentary and Oral History” project is now available online at www.ClevelandMemory.org/pray/, a site that is maintained by CSU's Library Special Collections, home of the Praying Grounds manuscript collections. Praying Grounds was the primary inspiration for the launching of the Initiative for the Study of Religion and Spirituality in the History of Africa and the Diaspora (RASHAD) at CSU, and links to RASHAD's scholarly journal and newsletter are also available on the Praying Grounds site. On April 28, 2020, the RASHAD Center, Inc. became a tax-exempt 501(c)(3) nonprofit organization. In 2010, Dr. Williams was a Visiting Fulbright Scholar at Nigeria’s Obafemi Awolowo University, where she taught history and directed a RASHAD-related oral history project that focused on the role of religion in recent Nigerian social history. Other research-related travels have taken her to Canada, China, France, South Africa, and Austria. In 2013, she conceived and produced “Come Sunday @ 70: The Place of Duke Ellington’s Sacred Jazz in World History and Culture, c. 1943-2013,” a project that included scholarly presentations and performing arts activities. From September 1993 until May 2015, she was a faculty member in the Department of History at Cleveland State University. She served as a Fulbright Specialist at South Africa's University of the Free State in the summer of 2019, and completed a short-term faculty residency at Howard University in the fall of 2019. She is based in Cleveland, Ohio. As a public scholar, her current research projects focus on African American history and culture, especially as it relates to music, religion, and spirituality. She is a member of the Oral History Association, the Western Reserve Historical Society, and the National Museum of African American History and Culture.
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