Author Archives: Dr. Regennia N. Williams, Founder, President, and Executive Director

Unknown's avatar

About Dr. Regennia N. Williams, Founder, President, and Executive Director

Dr. Regennia N. Williams is the Founder and Executive Director of The RASHAD Center, Inc., a Maryland-based non-profit educational corporation. Williams holds a PhD in Social History and Policy from Case Western Reserve University in Cleveland, Ohio. A native Clevelander and a four-time alumna of Cleveland State University, information on RASHAD's “Praying Grounds, African American Faith Communities: A Documentary and Oral History” project is now available online at www.ClevelandMemory.org/pray/, a site that is maintained by CSU's Library Special Collections, home of the Praying Grounds manuscript collections. Praying Grounds was the primary inspiration for the launching of the Initiative for the Study of Religion and Spirituality in the History of Africa and the Diaspora (RASHAD) at CSU, and links to RASHAD's scholarly journal and newsletter are also available on the Praying Grounds site. On April 28, 2020, the RASHAD Center, Inc. became a tax-exempt 501(c)(3) nonprofit organization. In 2010, Dr. Williams was a Visiting Fulbright Scholar at Nigeria’s Obafemi Awolowo University, where she taught history and directed a RASHAD-related oral history project that focused on the role of religion in recent Nigerian social history. Other research-related travels have taken her to Canada, China, France, South Africa, and Austria. In 2013, she conceived and produced “Come Sunday @ 70: The Place of Duke Ellington’s Sacred Jazz in World History and Culture, c. 1943-2013,” a project that included scholarly presentations and performing arts activities. From September 1993 until May 2015, she was a faculty member in the Department of History at Cleveland State University. She served as a Fulbright Specialist at South Africa's University of the Free State in the summer of 2019, and completed a short-term faculty residency at Howard University in the fall of 2019. She is based in Cleveland, Ohio. As a public scholar, her current research projects focus on African American history and culture, especially as it relates to music, religion, and spirituality. She is a member of the Oral History Association, the Western Reserve Historical Society, and the National Museum of African American History and Culture.

Washington DC Jazz Oral History Project, Chapter 17

“I am a drummer, and I love my music. I have been doing this since I was eight, and I will be 61. That’s a long time playing drums. I love doing what I do.” – Donald “Big Foot” Edwards … Continue reading

Posted in Uncategorized | Tagged , , , , , , , , | Leave a comment

Washington DC Jazz Oral History Project, Chapter 16

“We are very familiar with the landscape, the land, and the people. We have a rich history in that part of Texas.”—Aaron Myers   AARON MYERS—a Texas native, has worked as a professional jazz vocalist for 14 years. He also … Continue reading

Posted in Uncategorized | Tagged , , , , , , , | Leave a comment

Washington DC Jazz Oral History Project, Chapter 15

“There is always lots of room for education, pr, and talking about the Howard Theatre and its importance, because it is the oldest major theatre for African American entertainment in the country, older than the Apollo by 25 years.” -–Roy … Continue reading

Posted in Uncategorized | Tagged , , , , , , , , , | Leave a comment

Washington DC Jazz Oral History Project, Chapter 14

“I was blessed and fortunate to tap into that wonderful artistry of jazz and those icons and other people who continue to keep it alive here in the DMV.” — Janine Gilbert-Carter   JANINE GILBERT-CARTER – a Pennsylvania native who … Continue reading

Posted in Uncategorized | Leave a comment

Washington DC Jazz Oral History Project, Chapter 13

“He told me, ‘Listen, I know you’ve been to school. Forget all your rules that you learned in school. The only rules you will have to know in my band are the laws of nature. That is all . . … Continue reading

Posted in Uncategorized | Tagged , , , , , , , , | Leave a comment

Washington DC Jazz Oral History Project, Chapter 12

“You’ve just got to listen to it. Listen to the music. You have to constantly listen to the music.” –Jeffrey J. “Lefthand” Neal, Drummer Jeffrey J. “Lefthand” Neal –a drummer, former architect, and current entrepreneur—has worked as a full-time musician … Continue reading

Posted in Uncategorized | Tagged , , , , , , , | Leave a comment

Washington DC Jazz Oral History Project Chapter 11

“[I]t was on our people’s backs that the area was built and built up.” –The Rev. Dr. Ginger Cornwell The Rev. Dr. Ginger Cornwell –saxophonist, vocalist, Howard University alumna, and founder of Reaching for the World Ministries–describes her early life … Continue reading

Posted in Uncategorized | Tagged , , , , , , , , | Leave a comment

Washington DC Jazz Oral History Project Chapter 10

Jazz is music that developed in America, but its foundations are rooted in Africa.” —Nasar Abadey Prof. Nasar Abadey — Pennsylvania native and award-winning master drummer, educator, and bandleader for SUPERNOVA®–discusses some of the people and places that shaped his … Continue reading

Posted in Uncategorized | Tagged , , , , , , , | Leave a comment

Washington DC Jazz Oral History Project, Chapter 9

Howard Chichester – a native Washingtonian and professional drummer –played with a number of groups over the years, and retired in 1979. He came out of retirement at the request of a trumpet player that he had recorded with in … Continue reading

Posted in Uncategorized | Tagged , , , , , , , , , | Leave a comment

Washington DC Jazz Oral History Project, Chapter 7 — Herbert James Scott

“My story begins, as a musician, at the Music Center / Sitar Arts Center in Adams Morgan.” Herbert James Scott–saxophonist, leader of the Herb Scott Quartet, arts activist, and co-founder and Executive Director of the Capitol Hill Jazz Foundation—shared his … Continue reading

Posted in Uncategorized | Tagged , , , , , , , , , | Leave a comment